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National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Gender analyse of female heroes developement in Walt Disney animation
 Daňková, Andrea ; Knotková - Čapková, Blanka (advisor) ; Baslarová, Iva (referee)
The thesis addresses analysis of stories and narrative in relation to the subject of gender. This analysis primarily deals with fairy tale The Beauty and the Beast by Disney. The first part is about general theoretical basis for my thesis and about the most important authors in this field. Archetypes and logocentrism topics are dealt with partially as well. The foundations of the first part are however literary and motion-picture feministic theories, also the concept of the myth of beauty. In the practical part sequences of the The Beast and the Beauty are studied. Findings described in theoretical part is utilized here and the marked and subtle influence of androcentric culture on style and content of the story is shown.
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Gender analyse of female heroes developement in Walt Disney animation
 Daňková, Andrea ; Knotková - Čapková, Blanka (advisor) ; Baslarová, Iva (referee)
The thesis addresses analysis of stories and narrative in relation to the subject of gender. This analysis primarily deals with fairy tale The Beauty and the Beast by Disney. The first part is about general theoretical basis for my thesis and about the most important authors in this field. Archetypes and logocentrism topics are dealt with partially as well. The foundations of the first part are however literary and motion-picture feministic theories, also the concept of the myth of beauty. In the practical part sequences of the The Beast and the Beauty are studied. Findings described in theoretical part is utilized here and the marked and subtle influence of androcentric culture on style and content of the story is shown.
Detailed record
Romantic movies and the women's vision of partnership
 Koryntová, Barbora ; Reifová, Irena (advisor) ; Bednařík, Petr (referee)
The diploma thesis Romantic Movies and the Women's Vision of Partnership describes and discusses a study of two generations of women - mothers and their daughters - who watch this genre. Feminist film criticism theory, of which Laura Mulvey is considered to be the main representative, was selected as the foundation for this research. The aim of the research is to determine how the reception of romantic comedies helps to shape conceptions regarding intimate relationships for mothers and for their daughters. The qualitative method has been chosen as a relevant method for providing answers to the questions posed; meanwhile data is collected using semi-structured interviews. The subsequent analysis will primarily be based upon grounded theory, which shows itself to be the most appropriate method for producing the conclusion for this study.
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